Thursday, March 22, 2012

Vaasvara Celebrates National Women's History Project

March is National Women's History Month and this years theme is Women's education-Women's empowerment.

This non-profit is very close to my heart and I decided to design a pendant after this year's theme and do a fundraiser for them.
This was a great learning lesson, from concept to a finished peice of jewelry and doing that within the limits of the theme. After some drawings for concept, I made a digital print of the design on Photoshop elements. Next, I created a photopolymer plate of it.

I used this plate as my texture plate to make the pendant out of bronze clay. I made this a reversible pendant with a custom texture I call eternal spirals. I decided to add a vintage brass bead to make it more feminine and vintage looking. Here is the result.

One of this pendant can be seen in the bidding for good website in the auction benefitting NWHP( National Women's History Project).
There is a limited number of pendants available for sale at National Women's History Project's webstore http://shop.nwhp.org/theme-and-celebration-items-c241.aspx

Please support this fundraiser! This necklace will make a great gift for women in your life who have helped empower you through their support, encouragement and education. Or simply a beautiful keepsake for you while supporting this very important non-profit.


Sunday, January 29, 2012

Creating Organic Forms in Metal Clay

Vaasvara earrings make it to the pages of Metal Clay artist magazine. This my first published work in print! Hope to see more in coming months.

This design is an excellent example of what I call designing and creating organically. I did not use any shape cutters, templates or textures to design and create these. These were made with metal silver clay( Fine silver) and I wanted to take advantage of its unique properties to design and create organically.
I wanted to create a multiple piece, simple form based design that resembled an exotic blossom. Since these are earrings, the forms need to be of similar shape and size. ( if not identical;in the spirit that nature is perfect in its imperfections) This can be pretty challenging if you also decide that you do not want to use shape templates or cutters or any cutting tool on your clay!
So here is what I had to do. I needed to make 3 graduating sizes so I started with three lumps of metal clay in and weighed them. I needed to know the weights so that I could reproduce the other pair in same size and weight.

Here is what I did to roll out the forms:
I wanted the smallest petal to be more or less rounded so I hand pressed it in a flat rounded shape and then rolled it between the slats.
I wanted the other two pieces oval shaped, so hand-pressed the clay in an elongated shape and then rolled the clay.
Since the weights were same the rolled out forms came out similar and I did not have to use any cutting tool!

The texture that you see in there is just the clay drying up a little bit and leaving this scale like texture, that I found beautifully organic. Since I didn't use any cutters or cutting tools to make these forms I didn't have to sand much at all. I antiqued the earrings and then polished them just enough to enhance the texture.
So there you have it, an organic design not just looking natural and organic but created in the same spirit and process, a holistic design approach that I have come to love.


Monday, January 9, 2012

Few inspiring pictures from my India trip.

Buddha at Kanheri caves (1st century BCE to 10th century CE), Mumbai, India 
These caves served as a center for Buddhism in ancient times.

Ornate cave monuments of Buddha, Mumbai, India 

I thought she had a cool nose ring. She comes to clean dishes and floors at my sister in law's home. She seems so joyful all the time;  amazing for someone who lost all fingers of her right hand in an accident, lost her only son at a very young age and has to fend for herself as long as she lives. She is so cute, she quickly dropped the broom when I asked her if I could take a picture of her and covered her head with her Sari. A beautiful person indeed...

I loved photographing these trees in Mahabaleshwar, India,
 near Arthers seat point, 

Saturday, November 19, 2011

Custom Texture plate design

The latest in the nature designer cabochon series..this is gorgeous blue green Chrysocolla and Malachite cabochon from Gerard scott designs.com. For this I made a custom texture plate using copper etching based on hand drawings, this lends a particular hand rendered organic look to it. 

Thursday, November 17, 2011

Etsy treasury

My Etsy shop has made it to two treasury lists, interestingly the same pendant. Treasury lists are a good Karma way of promoting other artists. You make a curated list of themed products( cannot put your own products) and put it out there for people to see. These lists also might end up on the home page if well done. Here is the picture of the pendant that has been included:




Tuesday, November 15, 2011

November Challenge Piece for Metal Clay Heads Team at Etsy!


Here is my entry for November challenge. The theme of this month is very close to my heart as I believe that nature is my primary source of inspiration and learning. I LOVE gemstones as I see them representing one of mother natures most beautiful gift to mankind. This pendant is made in fine silver with Amazonite cab and Topaz. 
Sky, Water and Earth come together in harmony in this completely handcrafted fine silver pendant. Stylish and organic, the pendant is hand-sculpted, hand-textured, antiqued and polished. Hangs from a sterling silver rollo chain, punctuated with beautiful green color chrysoprase and sunstone beads. The texture is made from a mold of real coral, thus representing the deep seas. There is a smaller sized similar pattern on top, signifying the close and cyclical ties of sky and water. 

Getting published

I have been trying to get my work published in print. I sent two of my images to be included in the Metal clay artist magazine. Hope it will happen this time around, this is my second attempt to get published with Metal Clay Artist magazine.